12 062 безплатни аудиофайлове за "Alvin And The Chipmunks"

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MT 60/120:2:6

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 39 Prelude No. 20 in A minor, BWV 865

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 12 Fugue No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 45 Prelude No. 23 in B major, BWV 868

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

6/8 clave, second form (son clave)

Wohlbekannte Melodie mit Oktavsprüngen

Standard bell pattern.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

langsamere Variante der authentischen Kadenz

clave pattern in 5/2

clave pattern in 7/4

6/8 clave, first form (standard pattern)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Holberg Suite, prelude, bars 1-2, piano version

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Holberg Suite, Prelude bars 31-4 piano version

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Franck Violin Sonata first movement, bars 1-8

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Melodie.linear + Melodie.salical gleichzeitig

Holberg Suite prelude bars 1-2 string version

3-2 Son Clave Pattern in duple time.

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Claude LeJeune, Revoici venir du printemps

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Rumba Clave Pattern in triple time.

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.